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The thing about changing over to a new rig after years of doing things one way is that I am now faced with months of resorting the tones for each and every Floyd song we play (that is most of them by the way).Īnyway I may post a patch or three on here at some point depending on if it is all Helix patch or not. Sorry no patches to give you and they may not help you anyway as I will still be using some of my other FX units in the loop for now. Yes it will work for you from what I can tell thus far (spent about three days messing with it) and no I have not run out of CPU as yet but I am using the FX loop to outboard FX as well, however I am still messing around with it and seeing if it will really do what I need it to do for me. Anyway I play in the NZ Pink Floyd Project and just picked a Helix up to see if it would work for me. I'm sure there are lots of Gilmour afficianados who'd like to hear some of these tones as well! Would the Helix run out of CPU? And most importantly how does it sound? So I really go all out to get as close as I can.
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For my Run like hell patch on the Axe I use a compressor, tube drive, two delays in parallel to the main signal chain, a chorus or rotary to get swirly stereo effect, and a multitap delay with lowpass filter also in parallel to the main signal chain. I'm quite OCD when it comes to Gilmour tones. I'd be interested in tones from songs like Floorboard solution is what I want.īefore I do (they are very rare here in Australia), surely there are some Gimour tone nuts that have a Helix by now?Ĭan anyone post some Gimour patches/tones you have made. 24 Jan Inside David Gilmour’s Studio Guitarist magazine issue 390 is on sale now in print and digital formats and is a feast for Pink Floyd fans, featuring an in-depth look inside David Gilmour’s studio, sumptuous photography and details of the amazing guitars, amps and effects that powered The Endless River. Looking to get into the Helix to replace my Axe FX Ultra.